This series of paintings on recycled domestic textiles enters the old-fashioned futuristic geometry of mid-century modern houses, and unpacks the persistent fantasy of the American Dream promised by their spare, uncomplicated lines. I leave the printed textiles partially revealed as people’s clothing or objects, using painted shadows and reflections to merge the figures with their modernist environments. The checkered, plaid, and boomeranged prints of these fabrics bubble up from the depths to converse with the patterns of the painted architectural features on the paintings' surfaces. Gun-toting little cowboys, jello-mold goddesses, and other ghosts of the recent past  emit a faint discomfort as they emerge from their idyllic suburban expanses, ruffling the smooth veneer of our collective consumerist nostalgia.